• Ciervo Encantado

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  • Chapters
    • I. El Ciervo Encantado. The Altar-Spectacle and the Vision of Cuba
    • II.Interview with Nelda Castillo and Mariela Brito
    • III. El Ciervo Encantado: Performance, Space, and the Political in El Ciervo Encantado
    • IV. Café Theater: Inside and Outside the Theater
    • V. Leaving the Stage, Taking to the Streets
    • VI. El Ciervo Encantado and the Return of the 70s
    • VII. Without Borders: Actions in the Gallery
    • VIII. Battlefield Diary
    • IX. Bringing the Street Into the Stage: Rapsodia para el mulo
    • X. An Altar in the Mangroves: Conclusion
    • XI. Works Cited
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    • Spanish

Table of Contents


I. El Ciervo Encantado. The Altar-Spectacle and the Vision of Cuba

II.Interview with Nelda Castillo and Mariela Brito

III. El Ciervo Encantado: Performance, Space, and the Political in El Ciervo Encantado

IV. Café Theater: Inside and Outside the Theater

V. Leaving the Stage, Taking to the Streets

VI. El Ciervo Encantado and the Return of the 70s

VII. Without Borders: Actions in the Gallery

VIII. Battlefield Diary

IX. Bringing the Street Into the Stage: Rapsodia para el mulo

X. An Altar in the Mangroves: Conclusion

XI. Works Cited

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I. El Ciervo Encantado. The Altar-Spectacle and the Vision of Cuba

I. El Ciervo Encantado. The
Altar-Spectacle and the Vision
of Cuba