• Ciervo Encantado

  • Menu
  • Chapters
    • I. El Ciervo Encantado. The Altar-Spectacle and the Vision of Cuba
    • II.Interview with Nelda Castillo and Mariela Brito
    • III. El Ciervo Encantado: Performance, Space, and the Political in El Ciervo Encantado
    • IV. Café Theater: Inside and Outside the Theater
    • V. Leaving the Stage, Taking to the Streets
    • VI. El Ciervo Encantado and the Return of the 70s
    • VII. Without Borders: Actions in the Gallery
    • VIII. Battlefield Diary
    • IX. Bringing the Street Into the Stage: Rapsodia para el mulo
    • X. An Altar in the Mangroves: Conclusion
    • XI. Works Cited
  • English
    • Spanish

Chapters

  1. Table of Contents
  2. I. El Ciervo Encantado. The Altar-Spectacle and the Vision of Cuba
  3. II.Interview with Nelda Castillo and Mariela Brito
  4. III. El Ciervo Encantado: Performance, Space, and the Political in El Ciervo Encantado
  5. IV. Café Theater: Inside and Outside the Theater
  6. V. Leaving the Stage, Taking to the Streets
  7. VI. El Ciervo Encantado and the Return of the 70s
  8. VII. Without Borders: Actions in the Gallery
  9. VIII. Battlefield Diary
  10. IX. Bringing the Street Into the Stage: Rapsodia para el mulo